81 1667 AMO Reve G

= One of 51 Roman numb. copies, bound in giltlettered hvellum by Binderij Phoenix, with a leaf of the original manuscript (draft, pen and ink, w. heading "Vooravond (10)") loosely inserted in rear pocket.

81 1668 AMO Reve G

- Backstrip trifle sunned. = One of 30 copies printed on Immortal Fire.

81 1669 AMO Reve G

= One of 37 roman numb. copies ("XXXIII"), bound by the Phoenix Bindery in halfvellum with a page from the original manuscript by Reve mounted over part of the backcover, spine and frontcover, in stiff paper slipcase.

81/1670 De Angst No 1 and 2 Ed R Scholte and M Bril a o

81/1670 De Angst No 1 and 2 Ed R Scholte and M Bril a o

= All published. Rare artist's periodical with literary contributions. The wrapper by Scholte shows the Leo Belgicus.

81 1674 L'art et l'idée Le dilettantisme littéraire et la curiosité Revue contemporaine illustrée Ed O Uzanne

81 1674 L'art et l'idée Le dilettantisme littéraire et la curiosité Revue contemporaine illustrée Ed O Uzanne

81 1674 L'art et l'idée Le dilettantisme littéraire et la curiosité Revue contemporaine illustrée Ed O Uzanne

- Plates occas. sl. foxed/ waterst. in blank margin. Extremities sl. rubbed; vol. 1 frontcover loose. Good copy.

= Vicaire V, p.367-370. All published. Beautiful and rare periodical, the plates i.a. by/ after E. Courboin, F. Valloton, F. Rops, P. Vidal, L. Morin, C. Schwabe, J. Chéret, E. Grasset, A. Lunois, A. Lepère. Especially interesting are the prints by Valloton: the etching "La Cieca Fortuna" after G. Bellini (Valloton-Goerg 233) and 7 woodcuts, i.a. a self-portrait and a portrait of Verlaine (Valloton-Goerg 79, 80, 82, 92, 93, 95 and 96). SEE ILLUSTRATION PLATE XL.

81 1675 Assisi F van

81 1675 Assisi F van

81 1675 Assisi F van

= One of 335 copies on Oud Hollandsch. Attractive publication.

81 1676 Atalanta Pers Bakker R and Oosterkerk K

81 1676 Atalanta Pers Bakker R and Oosterkerk K

= Final project by this collective of private presses, consisting of De Ammoniet, De Baaierd, Clio Pers, De Overkant, De Pers Achter de Muren, t Schuurtje, Typografiek and ZonderDak.

81/1677 Atalanta Pers Lot of 22 publications

= I.a. M. BOOG, Maak water (2008); H. BEURSKENS, Vleugels (1984, 4 lithographs); J. HAMELINK (ed.), Als een boom die bloeit en overwintert (1982, silkscreens by H. LANDSAAT); OEY TJENG SIT, Een stilte die gelukkig maakt (1990, linocut); IDEM, Courant Incourant (1988, 7 linocuts); C. ANDRIESSEN, Nu veel later (n.d., col. silkscreens); D. HILLENIUS, Verre plekken die herinnerd blijven (1986, gouache by Henri PLAAT); W.S. GRAHAM, Benaderingen van hoe ze zich gedragen. Dutch transl. W. van Toorn (1986, 6 silkscreen prints by H. Landsaat, SIGNED by the translator and the artist, orig. boards w. transparent dustwr.); Ton FRENKEN, Getekend (1996, 4 pencil drawings and 2 gouaches); J. CORTÁZAR, Het te pletter slaan van de druppels (1981, 3 etchings by Z. Janeczek, printed in 80 numb. copies (50), orig. cl.); R. BAKKER ed., Kopwit (2006, typography and ills by René BAKKER, perspex slipcase, 4to).

81 1678 Atlan Kafka F

81 1678 Atlan Kafka F

= Monod 6480.

81 1679 Auriol G

- Both vols. unopened. First vol. backstrip dam. Otherwise fine copies.

= Vol. 1 one of 30 numb. copies on "Japon mat à la forme" with "un fleuron original". Vol. 2 one of 50 numb. copies on the same paper. Leroy-Crevecoeur 342.

81 1680 Avalon Pers Doesburg T van

= One of 20 Roman numb. copies bound by J.C. van Hooff.

81 1681 Ballantyne Press Browne T

- Untrimmed; some occas. foxing. Backstrip tanned.

81/1684 Bauer M A J La Jeunesse inaltérable et la vie eternelle Conte populaire traduit litteralement du Roumain Pref A Alexandre French transl by W Ritter

81/1684 Bauer M A J La Jeunesse inaltérable et la vie eternelle Conte populaire traduit litteralement du Roumain Pref A Alexandre French transl by W Ritter

- Sm. rubbed spot on first blank; frontcover trifle duststained and upper outer corners of both covers trifle bumped.

= Colophon unnumb. but w. manuscript: "Not for Sale" instead. Van Wisselingh 273-291, stating that only 180 copies were printed (p.18), or even only 150 copies (p.91). Braches (ed. 2016) 376; Braches (2nd ed.) 348; Braches (1st ed.) 980116 and p.292-293: "Deze versieringen [van Dijsselhof] zijn, omdat ze moesten komen naast etsen van Bauer, geëtst. Ze zijn als zodanig uniek in de geschiedenis der boekherleving." SEE ILLUSTRATION PLATE XL.

81 1685 Beardsley A Wilde O

81 1685 Beardsley A Wilde O

81 1685 Beardsley A Wilde O

- Owner's entry on htilte; lacks first free endpaper; bookplate on upper pastedown. Spine-ends and corners trifle worn. Good/ fine copy.

= Lasner 59D; Taylor p.96f: "(...) the illustrations for Salomé probably represent the peak of Beardsley's career (...)"; Mason 355. English translation by Alfred Douglas; the first French ed. was published in Paris, 1893. Ray, The illustrator and the book in England 1790-1914, 315: "If Le Morte Darthur made Beardsley known, his designs for the first edition in English of Wilde's Salomé made him notorious, and it remains the book of which most people think when his name is mentioned. (...) When Salomé was published, the critics made their expected protest, though Wilde was their primary target, and relations between writer and artist became strained. But even if Beardsley offers amiable caricatures of Wilde in "Enter Herodias" and two other designs, it is mistaken to think that he was contemptuous of the text he was illustrating. It moved his imagination as did few other subjects." In the first Beardsley illustrated edition of 1894 two drawings and the cover design were cancelled and several plates were bowdlerized. SEE ILLUSTRATION PLATE XLI.