942 - 1017 VARIA. EROTICA, FASHION AND COSTUME, JUDAICA, MUSIC, UNDERGROUND PRESS etc.
- Spine rebacked w. paper tape; wr. sl. soiled/ foxed. Otherwise fine.
= Nice history of bullfighting, i.a. listing the bulls and their victims and giving a survey of the technique of bullfighting.
= Very large run of this periodical, which folded in 1993. Founded by students of the Dutch film academy Pim de la Parra, Wim Verstappen, Gied Jaspers en Nikolai van der Heyde.
= Dutch (avant garde) cinema periodical, founded by students of the film academy.
- Upper hinge broken; 1st issue loose.
- Joints splitting; spine-end worn; binding partly sl. faded. = Very rare.
= Feminist erotic photomagazine, i.a. contributions by Marlo Broekmans and Paul Kooiker, Annie Sprinkle. With 3 duplicates (no.2,3 and 4)
- Creased; rather fragile. = SEE ILLUSTRATION PLATE XXVI.
- Spine sl. rubbed. A fine copy.
= "Suck" special issue. Very explicitly illustrated and with the following text on the final page: "Final instructions: This is not a work of fiction or of one man. Keep your eye on it's bi-unity. I am smiling now. But if you don't think my story marvellous and you should happen to meet me, kindly pass as though we don't know each other. Moral: "At the moment of coitus all men are one man!"" The concept was conceived by the photographer Anna Beeke as an anti-pornographic statement. Her second husband Anthon Beeke did the layout. Parr/ Badger, Photobooks III, 84: "This charmingly liberated fairy story is gleefully hardcore - The point of the exercise, after all. The pornographic photography itself is timeless, that is to say standard and a little boring, but the factor that makes this a classic of 1970's counterculture literature and the legacy of 60s' 'flower power' - where sexual liberation was seen as the beginning of political liberation - is the inspired graphic design of Anthon Beeke. Exuberant, wacky and excessive (...)."
- Gilding on binding trifle defective. Joints starting. = Rare. Not in Hayn/ Gotendorf.
- New endpapers. Rebacked w. use of orig. backstrip; covers sl. foxed.
Schidrowitz., L. Sittengeschichte des Proletariats./ Sittengeschichte der Revolution. Vienna/ Leipsic, Verlag für Kulturforschung, n.d. (±1925), 2 vols., 319,(1); 351,(1)p., num. (double-p.) (col.) plates and ills., orig. cl./ orig. gilt cl.
- First vol. new endpapers; 2nd vol. one double-p. plate loose.
= Published in the series Sittengeschichte der Kulturwelt und ihrer Entwicklung in Einzeldarstellungen.
Moreck, C. Kultur- und Sittengeschichte der neuesten Zeit. Geschlechtsleben und Erotik in der Gesellschaft der Gegenwart. Dresden, P. Aretz, 1928, 2nd ed., 411,(1)p., num. (col.) plates/ ills., orig. gilt cl.
- Top of spine sl. worn.
AND 4 others in 7 vols., i.a. G. BUSCHAN, Die Sitten der Völker. Liebe, Ehe, Heirat, Geburt, Religion, Aberglaube, Lebensgewohnheiten, Kultureigentümlichkeiten, Tod und Bestattung bei allen Völkern der Erde (Stuttg. etc., ±1917, 4 vols., richly illustrated, orig. unif. pict. hcl., 4to. Corners sl. worn; joints of vol. 4 splitting).
= Reproductions of explicit erotic prints/ drawings by Mario Tauzin (1909-1979), scenes from the series "Interdit aux adultes". Rare.
= Lipperheide Ucd 19; Colas 346; Hiler 94. Beautifully coloured plates for opera, theatre and ballet.
- Joints of portfolio broken and frayed; lacks ties. Otherwise fine.
= Colas 1243; Hiler p. 377; not in Lipperheide.
- A few plates trifle foxed; text occas. sl. foxed.
= Hiler 702; Colas 2323; Lipperheide Oc52.
- Sl. foxed (plates mostly in blank margins); 2 vols. w. a few lvs. w. tear. Bindings sl. worn/ sunned; 1x covers loose; 2x spine dam.
= Belgian edition publ. from 1845 to 1883. Colas 1569; Lipperheide Zb87.
- Several lvs. loose/ frayed; stamp on title-p.; plates generally in good condition but occas. sl. foxed/ yellowed. Poor binding: boards and backstrip loose.
= Nice collection of womenswear (and some menswear) plates of one of the most succesful post-Napoleonic ladies' magazines in Paris. Colas 2216; Lipperheide Zb 32.
- Wrappers dustsoiled and stained; frontwrapper lacks lower corner; paper over spine lacking.
= Lipperheide Gb 46; Colas 2312; Hiler p.699; Beall N2 (ed. 1818). The plates, engraved after designs of J. Perkois and J.H. Prins, depicting tavern scenes, beggars, costumes, professions, such as male and female fish sellers, a wigmaker and a Jewish pedlar. A rare Dutch variant of a "Cries" book, meant as an exercise book for young artists.
AND 1 other by H. THULSTRUP, Afbildningar af Nordiska Drägter (Stockholm, n.d. (±1895), 14 chromolithogr. plates, orig. gilt and blindst. cl. w. chromolithogr. plate mounted on frontcover, obl. folio).
- Hinges broken; 2 lvs. loose; owner's ticket on htitle; last leaf mounted to backcover; frontcover rubbed. Lacks backstrip; boards sl. worn. Plates in fine condition.
= "Monument esthématique du XIXe siècle". Colas 2952; Lipperheide Fc 56; Monod 10836; Carteret V, p.190.
= Rare copy of this early feminist critique of Darwinian evolutionary theory by the American writer Eliza Burt Gamble (1841-1920), who explores the role of gender throughout history and argues against the male-dominated society and supposed 'natural' inferiority of women. Hoeveler, The Evolutionists: American Thinkers Confront Charles Darwin (2007), p.168ff.