5355 - 5792     FINE ARTS - GRAPHIC ART, 16th-19th CENTURY

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76 5395 Bloemaert C  1603 1684 and Natalis M  1610 1668 76 5395 Bloemaert C 1603 1684 and Natalis M 1610 1668
76/5395 Bloemaert, C. (1603-1684) and Natalis, M. (1610-1668). (The Holy Virgin and child). Lot of 5 engravings after i.a. TITIAN and ANDREAS DEL SARTO, each 29,5x21,6 cm. (platemark), numb. "1"-"3", "6" and "8" in the plate.

- All on sl. thick laid paper, prob. late 17th cent.

= Apparently part of a series, all dedicated to marchioness Vincenzo Gustiniani.

€ (80-100) 170
76 5396 Bloemaert F  ±1610 ±1669 76 5396 Bloemaert F ±1610 ±1669
76 5396 Bloemaert F  ±1610 ±1669 76 5396 Bloemaert F ±1610 ±1669
76/5396 Bloemaert, F. (±1610-±1669). "Verscheyde Beesten en Vogelen". Engraving, 9,4x15,4 cm., w. the address of N. VISSCHER.

= Title print of the series after A. BLOEMAERT. Hollstein 16.

AND 4 other prints by the same after A. BLOEMAERT, from Het tekenboek.

€ (60-80) 70
76 5397 Blooteling A  1640 1690 76 5397 Blooteling A 1640 1690
76/5397 Blooteling, A. (1640-1690). "Variae Leonum Icones". Two (of 4) etchings after P.P. RUBENS from the series of 4 Lions, each 13,2x17,3 cm., numb. "1" and "4" in lower right corner, title etching w. title and "pictae a Petro P. Rubens", "Abraham Bloteling fecit" and "Nicolaus Visscher excudit" below image and other etching w. "P.P. Rubens pinxit" and "A. Bloteling fecit" below image.

- Tipped onto one mount; both trimmed to or just outside the platemark; traces from former tipping in partly sl. visible in corners on recto.

= Both etchings w. collector's name of "Huber" in pencil on verso (different from Lugt 1267c) and unidentified collector's mark. Hollstein 103 and 106, both 3rd state (of 3).

AND 2 mediocre copies of the same two etchings, also in the 3rd state (both cut sl. short w. loss of (part of) the number and 1x yellowed).

€ (100-150) 100
76 5398 Boel C  1620 1668 76 5398 Boel C 1620 1668
76/5398 Boel, C. (1620-1668). (A drinker and a smoker). Etching after D. TENIERS THE YOUNGER, 17,3x14,3 cm., "Cory Boel. f." and "D Teniers: In. et excud. cum priviliegio" in the plate.

= Hollstein 42. With the collector's mark of the prints collection of Leyden university (Lugt 2221).

€ (70-90) 100
76 5399 Bol F  1616 1680 76 5399 Bol F 1616 1680
76/5399 Bol, F. (1616-1680). Gideon's sacrifice. Etching, 20,8x16,6 cm.

- Some foxing. = Hollstein 2, 5th state (of 5).

€ (400-600) 400
76 5400 Bol F  1616 1680 76 5400 Bol F 1616 1680
76/5400 Bol, F. (1616-1680). The old man with a leaf of trefoil on his coat. Etching, 8,7x7,3 cm.

- Good, later impression on thick paper, cut 5 mm outside the platemark.

= Hollstein 24, 2nd state (of 2).

€ (100-150)
76 5401 Bol F  1616 1680  after 76 5401 Bol F 1616 1680 after
76 5401 Bol F  1616 1680  after 76 5401 Bol F 1616 1680 after
76/5401 Bol, F. (1616-1680) (after). The old man with a leaf of trefoil on his coat. Etching, 8,9x7,3 cm.

- Strong impression. = Copy in the same direction of Hollstein 24. On 17th cent. laid paper.

AND 3 other sm. etchings, all etchings after Rembrandt.

€ (100-150) 275
76 5402 Bolswert B A  1580 1633 76 5402 Bolswert B A 1580 1633
76/5402 Bolswert, B.A. (1580-1633). (Herdsman with sheep). Engraving after A. BLOEMAERT, 10,8x14 cm., "9" in the plate.

- Sl. fingersoiled. = Hollstein 332. Part of a series of 14 pastoral views.

AND 17 other prints, 18th-19th cent., all with animals (mostly sheep and horses), i.a. by P. VAN OS and J. SCHINDLER, after P. POTTER and K. DUJARDIN,

€ (100-150) 160
76 5403 Bolswert B A  1580 1633 76 5403 Bolswert B A 1580 1633
76/5403 Bolswert, B.A. (1580-1633). (Landscapes with farmhouse). Engraving after A. BLOEMAERT from the set of 20 Landscapes with farmhouses, 15x23,8 cm. (borderline), numb. "18" in lower margin.

- Brown stain; vertical printer's flaw; two thin spots. = Hollstein 338ff.

AND 7 other engravings (incl. 1 duplicate) by B.A. BOLSWERT after A. BLOEMAERT, all but 1 doubled.

€ (80-100) 120
76 5404 Bolswert S A  ±1586 1659 76 5404 Bolswert S A ±1586 1659
76/5404 Bolswert, S.A. (±1586-1659). Pan playing the flute. Engraving after J. JORDAENS, 31,8x42,5 cm.

- Trimmed on the platemark; two closed tears near upper edge; two sm. restorations in left margin, just within the image (tiny sections redrawn).

= Hollstein 285, 1st state (of 3).

€ (100-150) 100
76 5405 Bonnet L M  1743 1793 76 5405 Bonnet L M 1743 1793
76/5405 Bonnet, L.M. (1743-1793). "Bouquet de Reine-Marguerite, Paveau, Anemone, Tulipe". Colour stipple-engraving after CARLE, 24,7x18,6 cm. (framing line).

- Cut to the framing line and tipped onto mount, original caption cut off and tipped onto mount.

€ (300-500)
76 5406 Bonnet L M  1743 1793 76 5406 Bonnet L M 1743 1793
76/5406 Bonnet, L.M. (1743-1793). "Bouquet de Rose, Pied 'Alouette et Volubis". Colour stipple-engraving after CARLE, 24,7x18,6 cm. (framing line).

- Cut to the framing line and tipped onto mount, original caption cut off and tipped onto mount.

€ (300-500)
noimage
76/5407 Both, J. (1610-1652). Landscapes of the environs of Rome. Complete series of 6 etchings, ±20x27 cm., under passepartouts.

- All prints professionally restored (i.a. closed tears and repaired edges), w. margins extended w. Japanese paper; most prints unevenly agetoned/ yellowed; a few spots.

= Hollstein 5-10, the 3rd state (of 6), finished but before the artist's name, number and address. On paper w. foolscap watermark (5x) and crowned lily (1x). Verso with the collector's stamp of Dr. W.A. Ackermann (1793-1865) (Lugt 791) (1x), the signature in pencil of S. Coster (17th cent.) (Lugt 462) (1x), an unidentified circular collector's stamp (not in Lugt) (2x) and the stamp of J.E. Wetterauer (6x). The series comprises: Ponte Molle; The hinny-drover, Via Appia; View of the Tiber in the Campagna; The two cows near the river, Tivoli; The fishermen at the Tiber, near the Soracte; The wooden bridge, Sulmona near Tivoli.

€ (600-800)
76 5408 Both J  1610 1652 76 5408 Both J 1610 1652
76 5408 Both J  1610 1652 76 5408 Both J 1610 1652
76 5408 Both J  1610 1652 76 5408 Both J 1610 1652
76/5408 Both, J. (1610-1652). The woman on the hinny. Etching from the series of 4 Upright Italian Landscapes, 26,1x20,1 cm.

- Waterstains in upper part; brownn offsetting; grey impression. = Hollstein 1, the 6th state (of 6).

Waterloo, A. (1609-1690). Watermill at the foot of a hill. Etching, 12,1x20,8 cm.

- Somewhat yellowed.

= Hollstein 94, 2nd (?) state (of 2). With the collector's mark of Hillinger (Lugt 4334) and an unidentified collector's mark showing a beehive (Lugt 2732, perhaps collection Moran(?)).

AND 1 other by the same: A Mother and three children under way (Hollstein 79, 1st and only state. W. collector's marks of Hillinger and Herman Weber (Lugt 1383)).

€ (80-100) 110
76 5409 Boxing  Alken S  1784 ±1825 after 76 5409 Boxing Alken S 1784 ±1825 after
76/5409 [Boxing]. Alken, S. (1784-±1825) after. "A "Set-to" at the Fives-Court for the benefit of "One of the Fancy"." Contemp. handcol. aquatint and etching by SUTHERLAND, w. caption below print, ±12x19 cm., London, Thos. Kelly, 1823.

- Yellowed. = Rare boxing print.

€ (70-90)
76 5410 Brasser L  1717 1793 76 5410 Brasser L 1717 1793
76/5410 Brasser, L. (1717-1793). (River-view with ships and fishermen). Etching after J. VAN GOYEN, 17,2x27,5 cm., with "J. van Goyen inv." and "L. Brasser Fecit 1760" engr. below image.

- Black margins sl. and unobtrusively waterstained.

AND 3 miscellaneous others, i.a. IDEM, (Sailing ships near the quay on a quiet day) (etching and engraving after C. DE GRIENT, 18x24 cm. Central fold in image).

€ (70-90) 70
noimage
76/5411 Brouwer, C. (1731-1803). Ponte Molle. Printdrawing after J. VAN DEN ULFT, printed in brown, "Jac. van Ulft F." in the plate, artist stamp on verso, printed by C.S. Roos with his signature on verso. Ploos van Amstel, C. (1726-1798). Schalmei spelende herder met vrouw op voorgrond, en schapen. Printdrawing after N. BERCHEM, 19,8x14,7 cm., with the Ploos stamp verso, under passepartout.

= Van H. 13, not in LPN.

€ (50-70)
76 5412 Brueghel the Elder P  1526 1569  after 76 5412 Brueghel the Elder P 1526 1569 after
76/5412 Brueghel the Elder, P. (1526-1569) (after). A Dutch Hulk and a 'Boeier'. Engraving by FRANZ HUYS and ?, 24x19,3 cm., publ. by Hieronymus Cock, 1565.

- Fine.

= Rare. New Hollstein (Bruegel) 62, 1st state (of 2); cf. Hollstein (Huys) 16-26. Franz Huys died in 1562, so perhaps the print was finished by someone else. New Hollstein suggests Cornelis Cort. Probably for the coast of Enkhuizen. SEE ILLUSTRATION PLATE CI.

€ (2.000-3.000) 6500
76 5413 Brueghel the Elder P  1526 1569  after 76 5413 Brueghel the Elder P 1526 1569 after
76/5413 Brueghel the Elder, P. (1526-1569) (after). The Parable of Blind leading the Blind. Engraving after P. BRUEGHEL, ±1600, 17,3x22,6 cm. (image), w. the address of C.J. Visscher.

- Sl. soiled.

= State with the number and bible chapter and verse. Part of the series Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. SEE ILLUSTRATION PLATE CI.

€ (500-700) 2000
76 5414 Bruggen J van der 1648 1714 76 5414 Bruggen J van der 1648 1714
76 5414 Bruggen J van der 1648 1714 76 5414 Bruggen J van der 1648 1714
76/5414 Bruggen, J. van der (1648-1714). (A woman playing the flute and a drinking man seated at a table in a tavern). Mezzotint after D. TENIERS, 30x22,8 cm., w. two 4-line verses below image in French and signed in lower margin below the verses.

- Right margin trimmed to/ on the plate mark; upper margin trimmed just inside the image; margins partly strengthened on verso; vaguely foxed in left verse-lines.

= Rare mezzotint.

AND a mezzotint by R. HOUSTON after a follower of REMBRANDT: (Woman plucking a cock) (trimmed into the image; sharp fold and traces of silverfish nibbling in lower margin w. engr. text).

€ (80-100) 110