= "For this volume, arc en rêve centre d'architecture has brought together a number of theoretical, critical, and documentary viewpoints on the contemporary urban condition, as part of the MUTATIONS project presented in Bordeaux from November 2000 to March 2001."
Chung, C.J., Inaba, J., Koolhaas, R. and Leong, S.T. (ed.). Project on the City. Vol. 1: Great Leap Forward. Vol. 2: Guide to Shopping. (New York), Taschen, (2001/ 2002), 2 vols., 709,(12); 800p., sumptuously illustrated, orig. unif. gilt limp boards.
= Two of 4 projects by the Harvard Design School "(...) the Project on the City investigates a specific urban region or a general urban condition undergoing virulent change."
- Vol. III lacks title-p. Portfolios sl. discol./ sunned; cl. foxed/ stained; vol. II and III frontcover stained.
Idem. Les Architectes. Paris, S.A.D.G., 1957, 106,(4)p., orig. wr., 4to.
- Wrapper sl. soiled and stamp on frontcover.
- Bookplate/ newspaper clipping mounted on first endpapers. Wrapper (sl.) foxed; spine worn.
Idem. Vers une Architecture. Ibid., idem, (±1930), 8th ed., 243,(2)p., num. ills., orig. (trifle soiled/ worn) wr.
= Both from the series Collection de "L'Esprit Nouveau.
AND 2 others from the same series: Urbanisme and Le Peinture Moderne.
- Wrappers sl. foxed. = From the series Collection de "L'Esprit Nouveau.
Idem. Le poème électronique. Eindhoven, Philips, 1958, no pagination, num. (fold.) lithogr. (col.) plates, ills., orig. wr., square 8vo ("extraite du (...) Éditions Minuit"). - AND 2 others, both leaflets on Le Corbusier.
- Lacks the single-p. oxblood col. wallpaper sample plate at the end; the light blue sample plate chipped; one textleaf rubbed; one monochr. plate sl. foxed in top margin; price list w. annots. in ballpoint (i.a. "Toonzaal fil. Den Haag") mounted on verso frontcover. Binding a few rubbed spots along extremities; horizontal scratch on frontcover; backcover foxed and sl. worn on lower joint.
= Rare and important work on Le Corbusier's colour scheme for interiors, with the use of Salubra "oilpaint sold in rolls" or "machine prepared paintings" as Le Corbusier called the wallpaper that he created first in 1932. The present work was published in 1959 and was based on "plain shades and architectural designs" and is the second Salubra collection formed by Le Corbusier. In order to make a choice of a colour composition, Le Corbusier suggests taking out the large strips of wallpaper from the album and then combining them according to the possibilities created with the use of the cardboard windows and the colour-key plate. As a result, complete copies of these wall-paper albums are rare (only one copy traced on the market at present, and that is a copy with the plates cut-short). SEE ILLUSTRATION PLATE III.
- Lacks orig. wr.
= Rare first vol. from the series Collection de "L'Esprit Nouveau and the first work by Charles-Édouard Jeanneret under the name Le Corbusier. Saugnier was the pseudonym of the artist Amédée Ozenfant who for a time was closely associated with Le Corbusier.
AND 1 other by Le Corbusier: Le poème électrique.
- Frontwr. loose; spine dam.
= From the series Collection de L'Esprit Nouveau.
AND 2 others by/ on Le Corbusier, i.a. LE CORBUSIER, Quand les Cathedrales etaient Blanches (ibid, 1937, textills., orig. (sl. frayed) wr.).
= Fine monograph on the Mexican architect Luis Barragán.
= I. Vier eeuwen Amsterdamsche grachten in beeld gebracht: gevels, interieurs en het leven aan de gracht. II. Zes eeuwen Amsterdamse grachten in beeld: gevels, interieurs en het leven in de middeleeuwse stadskern.
Genicot, L.F. Burchten en hoevekastelen. Kastelen en buitenplaatsen. Brussels, M. Vokaer, 1976-1977, 2 vols., 287,(1); 306p., num. (full-p.) (col.) ills., printed in 1952 numb. copies (1500), orig. unif. cl. w. dustwr. (sl. frayed), obl. folio. - AND 6 others, i.a. Het huis Honselaarsdijk (Alphen a.d. Rijn, 1990, num. ills., orig. boards, folio).
- Lacks 8 plates (12, 25, 27, 32, 38, 40, 41 and 48); most plates (sl.) duststained in margins.
= The plates show many details that were destroyed by the disastrous fire of 2019.
= SIGNED by the artist.
Block, R. (ed.). Armando. Bernadette Bour. Joan Jonas. Per Kirkeby. Munich, Künstlerwerkstatt Lothringer Straße, 1982, (30)p., (col.) ills., orig. wr., 4to. Dröscher, E. Armando. Hamb., Kunstraum Falkenstein, 1991, 23,(1)p., col. ills., orig. wr., sm. 4to. - AND 34 other (exhibition) catalogues (incl. 11 duplicates), i.a. by Stedelijk Museum (1974), Centraal Museum (1976-1977), Van Abbemuseum (1979-1982), Galerie Springer (1981), Galerie Willy Schoots (1997-2005), Galerie Wansink (2005), Armando Museum (2006-2008) and Cobra Museum voor Moderne Kunst (2006-2013).