- Transparant dustwr. attached to pastedowns w. (yellowed) tape. Corners trifle rubbed; foot of spine chipped; top of spine sl. rubbed.
= One hundred plates of the "Codice Resta", kept in the Biblioteca Ambrosiana in Milan. Introduction in Italian, English, French and German.
- Without the slipcase.
= One of 200 deluxe copies, the facs. vol. bound in full calf w. mor. letterpiece.
= Facs. reprint of the 1913-1916, Berlin edition. Commentary vol. by C. Hülsen and H. Egger.
- Very fine. = Facs. reprint of German ed. München, 1930-1932.
- Slipcase sl. dustsoiled. Otherwise fine.
= The New Graphic Art was the first graphic design overview published as an ideological program, completely set in the Swiss typeset Univers. It describes and shows modern(ist) design up to the end of the 1950's.
- Fine set.
- Vague vertical fold; trifle dustsoiled/ foxed; a few marks and annots. in pencil.
= Signed(?) "Van Krimpen" and "c.1940 lettering for bookjacket van Krimpen" in pen and ink on verso.
AND 4 similar original designs (partly w. similar defects) by the same, 4x8 to 22,9x26 cm., all for books published by Tjeenk Willink: J. HUIZINGA, "Homo ludens"; IDEM, "Tien studiën" (2x) and C. BUSKEN HUET, "Het land van Rembrand. Studiën over de Noordnederlandsche beschaving in de zeventiende eeuw". - ADDED: 1 similar design by S.H. DE ROOS for J. Huizinga, "Erasmus" (12x10 cm.; soiled).
- All sl. dustsoiled and w. a few pencil annots.; both frontcover designs w. vertical middle fold and w. annot. "J. van Krimpen" in pen and ink on verso.
= SEE ILLUSTRATION PLATE II.
- Black leather box sl. scratched and slipcase of commentary vol. sl. bumped. Facsimile and commentary vol. in fine condition.
= Facs. edition of the original manuscript Ms. 58, preserved in the Library of Trinity College, Dublin. SEE ILLUSTRATION PLATE II.
- Commentary vol. uncut. Box worn/ dam. = Zotter 10.
AND 4 others similar, i.a. J.H. MARROW, The hours of Simon de Varie (Malibu/ The Hague, 1994, 68 col. plates, ills., orig. gilt cl., (sl. soiled/ scratched) slipcase w. mounted col. plate).
- Without the commentary vol. by W. Koschorreck and W. Werner (1981). Most board boxes sl. rubbed along edges.
= Sumptuous facsimile edition of this magnificent medieval songbook. It is the single most comprehensive source of Middle High German Minnesang poetry, written and illuminated in Zurich in the early 14th century, for the Manesse (or Manegg) family, at that time the most wealthy family of Zurich. The splendid facsimile leaves are printed in four to nine colours, the illustrations heightened with gold.
- Fine copy. = "Codices E Vaticanis Selecti vol. XXX". Zotter 85.
= Codices Selecti vol. XIV. Facs. reprint of Codex Vindobonensis 1857 in the Österreichische Nationalbibliothek, Vienna. Commentary vol. by F. Unterkircher and A. de Schryver. Zotter 601. SEE ILLUSTRATION PLATE III.
= With the commentary vol. by A. Wolf. Codex Vindobonensis 338. Codices Selecti LX.
- Sm. crack in base of perspex box. Otherwise very fine.
= Facsimile of the illuminated manuscript w. inventory no.47 of the Museo Civico d'Art Antica in Turin.
= Fine facsimile reproduction of a late 10th/ early 11th cent. manuscript of the works of Horace, acquired by Francesco Petrarca in 1347. SEE ILLUSTRATION PLATE II.
= Codices Selecti Facsimile vol. XCI.
- Backstrip of commentary vol. worn spot. = Zotter 131.