Page 1848 of 1858 Results 36941 - 36960 of 37146
81 6075 Wagner Joseph 1706 1780 81 6075 Wagner Joseph 1706 1780
81/6075 Wagner, Joseph (1706-1780). (ltalian village scenes). Two etchings after Franz de PAULA FERG, 27x31,8 and 25,7x31 cm., both w. the Venice address of the artist "Ex calcographia I. Wagner Ven.a.".

- Both sl. dustsoiled.

AND 1 other by the same after David TENIERS.

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81 6076 Waterloo Anthonie 1609 1690 81 6076 Waterloo Anthonie 1609 1690
81 6076 Waterloo Anthonie 1609 1690 81 6076 Waterloo Anthonie 1609 1690
81/6076 Waterloo, Anthonie (1609-1690). The entrance to a forest by a small wooden bridge. Etching, 21,8x28,8 cm. (borderline), signed "Antoni Waterloo fe" and "I" in the plate below image.

- Trimmed to the borderline. = Hollstein 107, 4th state of 5. Part of the series of 6 Large Landscapes.

Swanevelt, Herman van (±1600-1655). Balaam and the ass. Etching, 23x31,5 cm., w. "H. Swanevelt Fecit Rom" and "Poilly Excudit" in upper right corner.

- Trimmed just outside the platemark; on thick laid paper. = Hollstein 5, 7th state of 8.

AND 3 others: by JAN BOTH (2x, both late states/ impressions, 1x w. repaired tear) and ANTHONIE WATERLOO.

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81 6077 Waterloo Anthonie 1609 1690 81 6077 Waterloo Anthonie 1609 1690
81 6077 Waterloo Anthonie 1609 1690 81 6077 Waterloo Anthonie 1609 1690
81 6077 Waterloo Anthonie 1609 1690 81 6077 Waterloo Anthonie 1609 1690
81/6077 Waterloo, Anthonie (1609-1690). Landscapes. Complete set of 4 etchings, each ±10,3x12 cm., each monogrammed "A.W.f." in upper left corner, framed together.

= Hollstein 3-6, probably the 2nd state (of 4).

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81 6078 Waterloo Anthonie 1609 1690 81 6078 Waterloo Anthonie 1609 1690
81 6078 Waterloo Anthonie 1609 1690 81 6078 Waterloo Anthonie 1609 1690
81/6078 Waterloo, Anthonie (1609-1690). Landscapes. Eleven etchings from the series of 12 Landscapes (lettered), ±9x14,1 to 14,5 cm., "Tom II" and "b", "c", "e"-"m" in the plate, all (but one) tipped onto mount.

- Lacks one etching; all doubled; "k" and "m" sl. dam. in upper margin; "h" w. crease or closed tear; sl. foxed/ fingersoiled and yellowed.

= Hollstein 21-23 and 25-32, final states (incl. Basan editions).

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81 6079 Waterloo Anthonie 1609 1690 81 6079 Waterloo Anthonie 1609 1690
81 6079 Waterloo Anthonie 1609 1690 81 6079 Waterloo Anthonie 1609 1690
81 6079 Waterloo Anthonie 1609 1690 81 6079 Waterloo Anthonie 1609 1690
81/6079 Waterloo, Anthonie (1609-1690). Landscapes. Series of 6 etchings, each ±13x15,5 cm., each lettered "A" to "E".

- Trifle/ sl. (dust)soiled.

= Hollstein 77-82, 1st and only state. Five of the prints with unidentified (collector's) stamp(s).

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noimage
81/6080 Waterloo, Anthonie (1609-1690). The mule driver. Etching, 12,8x14,5 cm., "Anthoni Waterlo fe. et in." in the plate in upper right corner.

- Trifle foxed/ sl. yellowed. = Hollstein 48, the 1st and only state.

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81 6081 Waterloo Anthonie 1609 1690 81 6081 Waterloo Anthonie 1609 1690
81 6081 Waterloo Anthonie 1609 1690 81 6081 Waterloo Anthonie 1609 1690
81/6081 Waterloo, Anthonie (1609-1690). Six large landscapes. Four etchings from the series, each 22,5x29,2 cm., each w. "Antoni Waterlo fe(cit). et inv(ent)." and numb. "2"-"4" and "6" in the plate.

- Hollstein 114 and 115 w. old manuscript collector's mark "Naudet M. Descamps[?] au Louvre 1787". = Hollstein 114ff.

AND 1 other etching by the same.

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81 6082 Waterloo Anthonie 1609 1690 81 6082 Waterloo Anthonie 1609 1690
81 6082 Waterloo Anthonie 1609 1690 81 6082 Waterloo Anthonie 1609 1690
81/6082 Waterloo, Anthonie (1609-1690). Two hermits. Etching, 12,7x14,7 cm., signed "Antoni Waterlo fe. et in." in the plate.

- A few dustspots near upper margin.

= Hollstein 47, 1st and only state. Part of a series of 6 landscapes. With an unidentified collector's stamp (not in Lugt).

AND 6 others by the same: Two Cows on a ferry (H.26, 1st state); The sentry-box on the wall (H.31, 1st state); A man and his dog beneath a knoll (H.41, 2nd state); A man sleeping beside a road (H.49, 1st state); A traveller and his dog (H.60, 2nd state. w. the doublette stamp of the Leiden University printcabinet (Lugt 700b)); Two riders (H.63, 1st state, w. the doublette stamp of the Leiden University printcabinet (Lugt 700b)).

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81 6083 Waterloo Anthonie 1609 1690 81 6083 Waterloo Anthonie 1609 1690
81/6083 Waterloo, Anthonie (1609-1690). Village on a river (view from the Cunera tower at Rhenen on the Rhine). Etching, 12x21 cm., "AW ex." in the plate in upper left corner, framed.

- Fine impression w. small margins. Sl. foxed.

= Hollstein 91, probably the second state (of 3).

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81 6084 Weiditz II Hans 1495 1537 81 6084 Weiditz II Hans 1495 1537
81 6084 Weiditz II Hans 1495 1537 81 6084 Weiditz II Hans 1495 1537
81 6084 Weiditz II Hans 1495 1537 81 6084 Weiditz II Hans 1495 1537
81/6084 Weiditz II, Hans (1495-1537). (A scriptorium). Woodcut, 9,7x15,6 cm., on a letterpress leaf (XXVIII) from F. PETRARCA, Trostpiegel (16th cent. ed.). - AND 7 other woodcuts by the same on 5 lvs. from the same work.

= I.a. a sculptor's atelier and a ceramic workshop.

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81 6085 Whistler James McNeill 1834 1903 81 6085 Whistler James McNeill 1834 1903
81/6085 Whistler, James McNeill (1834-1903). Afternoon tea. Lithograph, ±1895, 19x14 cm., w. the artist's butterfly monogram on the stone, on Japanese.

= Kennedy 114.

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81 6086 Whistler James McNeill 1834 1903 81 6086 Whistler James McNeill 1834 1903
81/6086 Whistler, James McNeill (1834-1903). Annie Seated. Etching, 13,2x9,7 cm., "Annie" in the plate, on creamy/ light greenish laid paper.

= Kennedy 30, the second state (of 2). SEE ILLUSTRATION PLATE CIII.

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81 6087 Whistler James McNeill 1834 1903 81 6087 Whistler James McNeill 1834 1903
81/6087 Whistler, James McNeill (1834-1903). Hurlingham. Etching, 13,5x19,5 cm., w. the artist's butterfly monogram in the plate.

- Remnants of sellotape in upper blank corners.

= Kennedy 181, the 2nd or 3rd state: with the broken irregular line of the sky at the left and with the square house at left shaded with horizontal drypoint lines.

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81 6088 Whistler James McNeill 1834 1903 81 6088 Whistler James McNeill 1834 1903
81/6088 Whistler, James McNeill (1834-1903). The Punt. Etching on chine collé, 1861, 11x16 cm.

= Kennedy 85, the second state (of 4), without the publisher's address.

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81 6089 Whistler James McNeill 1834 1903 81 6089 Whistler James McNeill 1834 1903
81/6089 Whistler, James McNeill (1834-1903). Sketching, No.1. Etching, 12x16,7 cm., w. captions "J. Whistler" and w. the address of Day and Son in lower margin, "PL.45" in upper right corner.

= Kennedy 86, the 4th and final state.

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81 6090 Wierix II Antonius ±1555 ±1604 81 6090 Wierix II Antonius ±1555 ±1604
81/6090 Wierix II, Antonius (±1555-±1604). "Ordines sacri Romani imp. ab Ottone III instituti." Handcol. engraving on 2 loose sheets, total size 74,5x51,5 cm., "Anton Wierinx. fe." and "Gerard de Jode. Exc." in the plate, from C. DE JODE, Speculum orbis terrarum (in A. Ortelius, Theatrum orbis terrarum, Antwerp, 1593).

- Upper leaf a few tiny wormholes; some thin spots in blank margins (strengthened on verso). Lower leaf partly mounted on board.

= Hollstein 52.1, first state (of 2); Mauquoy-Hendrickx III.1 no. 1983, first state; cf. Koeman II, p.211. The fine large print depicts 49 important church- or military leaders in costume.

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81 6091 Wierix II Antonius ±1555 ±1604 81 6091 Wierix II Antonius ±1555 ±1604
81/6091 Wierix II, Antonius (±1555-±1604). (Portrait of Albert VII, archduke of Austria). Engraving, 13,6x9 cm., signed "Anton. Wierix fecit" in the plate.

= Part of a double portrait with his wife Isabella. Rare. Hollstein 2041; Macquoy-Hendrickx 1760.

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81 6092 Wierix Hieronymus ±1553 1619 81 6092 Wierix Hieronymus ±1553 1619
81/6092 Wierix, Hieronymus (±1553-1619). The standard bearer. Engraving after Albrecht DÜRER, 11,3x7,3 cm., tipped onto mount.

- Lacks large portion in upper left corner w. loss of image; cut to the platemark.

= Hollstein 1887, state after the removal of monogram "IRW" but before the addition of the address of C.J. Visscher. Rare.

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81 6093 Wierix Johannes 1549 after 1615 81 6093 Wierix Johannes 1549 after 1615
81/6093 Wierix, Johannes (1549-after 1615). The parable of the rich man and Lazarus. Engraving after Bernardino PASSERI, 23,3x14,7 cm. (platemark).

= From J. NADAL, Evangelicae Historiae Imagines (Antwerp, 1593) (in total 153 engravings). Hollstein 269, 2nd state of 4.

AND 9 others from the same series, all engraved by the WIERIX brothers.

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81 6094 Wohlgemut Michael 1434 1519 81 6094 Wohlgemut Michael 1434 1519
81/6094 Wohlgemut, Michael (1434-1519). "Imago Mortis". Woodcut, 19,3x22,7 cm. (woodcut), 27,5x24 cm. (leaf w. letterpress title above and text below), from H. SCHEDEL, Liber chronicarum, 1493, under passepartout.

- Upper left corner of woodcut strengthened w. tape on verso, otherwise the woodcut is fine. Tape on verso shining through in text below image; blank margins trimmed to 1 cm. outside border of image.

= Reichelt 160; cat. Mensch und Tod 1143; "Ihr müßt alle nach meiner Pfeife tanzen" p. 23; cf. Oppermann 1125b. Warthin p.38: "Among the most interesting of the incunabula woodcuts, in which this death motive is introduced, is one in the "Weltchronik" of Dr. Schedel, Nürnberg, 1493. The picture, most probably the work of Wohlgemut, shows five deaths celebrating the feast of Resurrection. One blows the flute, the others dance a solemn cancan. The deaths show different stages of dissolution; two are almost completely skeletonized. An interesting tale is told of the artist's difficulty in drawing skeletons. He wished to borrow a skeleton from Schedel to serve as a model. Schedel, however, possessed only a thigh bone; from this the artist developed the whole of the extremities. This woodcut is an amusing and sophisticated caricature of the Totentanz motive, perhaps as a comeback to the special satire against the physician of the Dance of Death." SEE ILLUSTRATION PLATE CIII.

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