- Wide margins, w. wormhole in upper left corner upper margin; margins sl. fingersoiled.
= Hollstein 34. From the series Bonorum et malorum consensio.
Idem. The Ascension of Christ and the Holy Virgin. Engraving after Maarten DE VOS, 20,2x24,2 cm. Collaert I, Hans (1566-1628). The Calling of Matthew. Engraving after Ambrosius FRANCKEN, 20x28 cm., monogrammed in the plate.
= New Hollstein 308, 1st state of 3.
AND 3 other similar bible prints, i.a. by Johannes WIERIX and after Karel van MANDER.
= Incl. 2 duplicates. I.a. Sturmio, the 40 martyrs of Larich, Carolomanus, Cumbaldus and Gistarius, Sola van Solnhofen and Emaram of Regensburg.
AND 1 other by the same from Trophaeum Vitae Solitariae.
- Cut just outside the borderline and caption; sm. closed tear in centre caption.
= Part of the series of 4 allegorical prints, also representing the Ages of Man. Janssen, Grijsaards in zwart en wit, p.98-100, ill. 38; Hollstein (R. Sadeler) 209; Hollstein (De Vos) 1465.
- Ample margins, partly soiled.
= Supplied in two copies, 1x w. the address of Marco Sadeler. From the series of Vestigi delle Antichità di Roma, Tivoli, Pozzuolo et altri luochi. After the drawing of Bruegel in the Rijksmuseum. Hollstein 193, 1st state and a copy (by Hier. Ferri (w. the address of Marco Sadeler, but edited by Rossi)).
Idem. (Temple of Venus near Baia). Engraving, 16,5x27,5 cm. (platemark), numb. "44".
- Wide margins; agetoned; sl. soiled in margins. = Hollstein 195, 1st state. From the same series as above.
Sadeler I, Johannes (1550-±1600). Rocky riverscape, on the right three boys and a moor. Engraving, 21,4x27 cm., "I Sadeler sc. et ex." in the plate.
- Two closed tears in lower margin and left margin, just touching/ within the image; sl. soiled in right margin. Good impression.
= Hollstein 581.
- Trimmed outside the platemark; upper margin strengthened on verso (i.a. a small hole in blank margins visible); somewhat grey and sl. weak impression.
= Hollstein 83, this 18th century state (Covens and Mortier started their business in 1721) not mentioned by Hollstein.
- Good impression with small margins. Foxing; old vertical middle-fold.
= Hollstein 84, 3th state (of 5).
- Trimmed 1 or 2 mm. outside the borderline, w. a few tiny chips in the left margin; sl. agetoned w. a few brown spots/ sm. stains.
= New Hollstein 683, state.
AND 2 others by the same, both trimmed to the image, with the captions/ verses cut off: Morning/ Evening (Hollstein 97/ 98).
= Both from L'Academia Todesca della Architectura, Scultura & Pittura: Oder Teutsche Academie der Edlen Bau-Bild- und Mahlerey-Künste (1675).
AND 11 others similar, all from the same work, i.a. "Centaurus", "Faunus", "Marsiyas" and "Galathea", a few w. waterstain in upper right corner.
- Laid down on modern stiff paper; prob. professionally cleaned, but still some soiling in the margins; a few worn/ rubbed spots in the margins.
= Large Piranesi style veduta of the Basilica of Saint Paul Outside the Walls after the fire of 1823.
- Cut well outside the platemark.
= Rare. Hollstein 382. According to Hollstein not part of a series, but the plate was reused for Hollstein 377 (also Sight).
- Fine. = Nagler 114, Wessely 104, first state of 2. SEE ILLUSTRATION PLATE XCVIII.
- Fine.
= From the collection pf J.W. Niemeijer, with his bookplate on modern chemise. Very rare complete series. All prints are proofs (1st state) before the letters and numbers, titles supplied in pencil (by Schwegman?). Wurzbach 2; Sliggers VIII, no. 1-9. This set sold in auction at Van Huffel, Utrecht, 1959 (no.1119). SEE ILLUSTRATION PLATE XCIX.
- Sl. foxed; agetoned and w. offsetting from former passepartout.
- Partly foxed. = Rare. Schneidermann 124 and Harrington 135, the first state (of 2). SEE ILLUSTRATION PLATE XCIX.
= Schneidermann 2 and 21.
= Schneiderman 203, probably the 7th state (of 9); Harrington 215.
= Schneiderman 24, the 6th state (of 8): Harrington 20.
= Schneiderman 17, trial III (of IV). With collector's marks of i.a. August Poulet-Malassis (Lugt 1906) (shining through in lower right corner of image).
= Schneidermann 36, the 4th and final state; Harrington 37.
AND 1 other etching w. drypoint by the same, Windmill Hill, No. 1 (Schneiderman 152, the 5th and final state).
= Rare proof between Schneiderman 47, state VI and VII; Harrington 51. SEE ILLUSTRATION PLATE C.