= Part of the series Hortus Floridus. Veldman, Crispijn de Passe and his Progeny p.205-212 ("the masterpiece of the then 20 or 21-year old Crispijn the Younger"); cf. Nissen, BBI 1494; Hunt 199; Hollstein 171.
- Two engravings sl. foxed.
= From M. DUHAMEL DU MONCEAU, Traité des arbres et arbustes que l'on cultive en France en pleine terre (2nd ed., 1801-1819).
ADDED: 41 other handcol. engravings/ chromolithographs of flowers, i.a. from Flora and Sylva (1904-1905).
= Including many finely handcol. prints. I.a. from H.L. DUHAMEL DU MONCEAU, Traité des arbres Fruitiers / nouvelle edition (Paris, 1768/ 1807-1835. Nissen BBI 550 and 551).
= Including many finely handcol. prints. I.a. from H.L. DUHAMEL DU MONCEAU, Traité des arbres Fruitiers / nouvelle edition (Paris, 1768/ 1807-1835. Nissen BBI 550 and 551).
- Margins trimmed to ±5 mm outside the borderline. = Not in Hippert & Linnig.
AND 1 other etching by Leendert OVERBEEK.
- Ample margins; 2 lvs. foxed in margins (not affecting the image), otherwise a few foxed spots.
= Hippert & Linnig 71-76. Mostly landscapes in the dunes and the ruins of Brederode castle (H&L 75). Very rare complete series, probably all final state.
- Sl. yellowed.
- Tipped onto mount; sl. foxed.
= Rare. The first of the series of three etchings depicting scenes in The Hague at the start of the Twelve year Truce in 1608 and 1609. Showing probably the old Statenzaal (states room). New Hollstein 60; F.M. 1252.
- First print w. wide margins; second print trimmed on the platemark and w. tiny closed tear in upper margin.
= New Hollstein 3 and 5, both first state of 2. Both part of the series of Landscapes with scenes from the Life of Christ.
Idem. Five skaters on a frozen river by a large bridge in a city. Village with frozen river and bare trees. Two etchings after Mathias BRIL, 9,5x15,6 and 9,2x15,7 cm. (image).
- First print cut on the platemark; second print trimmed to the borderline (caption present). = New Hollstein 139 and 140, both 1st state of 2.
- Cut just outside the borderline.
= (Very) rare. New Hollstein 154. From a series of 2 landscapes after Vinckboons. On laid paper with part of a watermark of a vase or jug.
- All but one sl. soiled in margins; Jesaja cut to the platemark, all others w. wide margins.
= All from the series Icones Prophetarum Veteris Testamenti. Portraits of Jesaja (4), Jeremias (5), Daniel (8), Hosea (9), Amos (11), Obadja (12), Jonas (13) (w. on verso an engraving of Jonas in the whale), Micha (14), Habbakuk (16), Sophonias (17), Haggai (18)Hollstein 4-30.
= From the series The Acts of the Apostles (34 plates in total). New Hollstein 214, 2nd state of 3.
AND 8 others similar on 6 lvs. by the same from the same series: New Hollstein 194, 195, 198, 199, 200, 201, 217, 219.
- With vertical fold(s).
- Sl. browned and w. sm. waterstain in lower margin, sl. within the caption; ample margins.
= New Hollstein 383, 1st state of 2. Part of a series of 8 engravings depicting personifications of trades and professions.
AND 1 other by the same: The rich man and the gate of heaven and the camel and the eye of the needle (New Hollstein 281, 4th state of 5).
- Lower margin diagonally trimmed short (0-1,5 cm.), without loss of vital aspects of the image; tiny tear in right margin touching the image; nevertheless an attractive print.
= Cf. Garrison-Morton 398: "Remarkable for its striking mezzotints printed in color". Very rare.
- Vertical closed tear in centre of caption and ±5 cm. into the image; sm. restorations on verso in upper corners; one sm. wormhole; agetoned w. a few brown specks.
= Very rare. Hollstein 7, 1st state. Part of a series of 4 prints showing Allegories on the medical profession. Partly copied (in reverse) after the series on the same subject by the atelier of Hendrick Goltzius.
- First print foxed; cut on the platemark; 2nd print w. scattered brown stains, cut just outside the platemark and caption.
= Two of the largest prints Genoels created. Hollstein 71 and 72.
AND 4 other etchings, all arcadian landscapes, partly by/ after the same, 1x w. the address of N. Robert.
- First print trimmed on the borderline and sl. yellowed; 2nd and 3rd print w. ample margins.
= From the series of six landscapes: Hollstein 60 (3rd state of 4), 62 (4th state of 4) and 65 (3rd state of 4). The 2nd and 3rd print on thick 18th century laid paper.
Idem. Temple. Square Stone. Sacrifice. Three (of 4) etchings, each 10,8x16,3 cm., 1684 and 1688.
- First print w. ample margins on thick 18th century paper; sl. foxed, mostly in right margin; 2nd print w. annot. in pen and ink and pencil (collector's mark?) in lower margin.
= Part of the series of 4 landscapes: Hollstein 29-31. Second print with the collector's mark of J.P.M. Cerroni (Lugt 1432) on verso.
AND 5 others by the same (incl. 1 duplicate): Hollstein 29, 34, 47, 58 and 59.
= Delteil 45, the 3rd state (of 4). Early lithograph.
ADDED: Ploos van Amstel, Cornelis (1726-1798). Spinnende herderin met kudde. Printdrawing, printed in brown after Nicolaes BERCHEM, 24,8x35,4 cm., with the Ploos stamp on verso.
= LNP 94.
- Somewhat soiled in ample margins.
= New Hollstein 245, only state. Portrait of the collector Abraham Gorlaeus.
Goltzius, Hendrick (1558-1617). Frederick II, king of Denmark and Norway. Engraving after Frans HOGENBERG, 22,2x16 cm., w/ the address of G. Cornelij.
- Cut on the borderline; with clumsily contemporary handcolouring (yellow and red); closed tears in lower part in the corners.
= New Hollstein 220.
- Fine state and impression; w. later extended margins. = New Hollstein 199, the first state of 2.
AND 2 others by the same: Three cavalrymen in full armour (New Hollstein 194; Hollstein 267, 2nd state of 2, w. the monogram of C.J. Visscher) and A soldier placing his fork (...) (New Hollstein 386, 4th state of 4).